{"id":12042,"date":"2026-11-04T08:46:08","date_gmt":"2026-11-04T08:46:08","guid":{"rendered":"https:\/\/www.theblogchatter.com\/BeStorified\/?p=12042"},"modified":"2026-11-04T09:34:59","modified_gmt":"2026-11-04T09:34:59","slug":"the-story-on-the-banks-of-the-pampa-brings-to-the-centre","status":"publish","type":"post","link":"https:\/\/www.theblogchatter.com\/BeStorified\/publishing\/the-story-on-the-banks-of-the-pampa-brings-to-the-centre\/","title":{"rendered":"Sabari Before Rama: The Story On the Banks of the Pampa Brings to the Centre"},"content":{"rendered":"\n

Most people encounter Sabari through her meeting with Rama. On the Banks of the Pampa<\/em> changes the point of view by placing Sabari\u2019s own life at the centre. Written by Volga, translated from Telugu by Purnima Tammireddy and published by HarperCollins India<\/a> in 2025, the novel returns to a familiar epic character and asks what becomes visible when someone usually remembered through another person\u2019s story gets one of her own. <\/p>\n\n\n\n

Sabari is one of those characters many readers recognise even if they have never thought much about her life before Rama entered it. Popular retellings of the Ramayana have made her devotion to him one of the most familiar parts of her story.<\/p>\n\n\n\n

On the Banks of the Pampa<\/em> begins elsewhere.<\/p>\n\n\n\n

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Who is Sabari beyond her meeting with Rama?<\/h2>\n\n\n\n

Sabari is introduced as a child of the aranyavasis<\/em>, or forest dwellers, who is enslaved by a colonising state, escapes captivity and reunites with her guru, Matanga Muni. Her life unfolds in the forest along the Pampa river before the encounter with Rama becomes part of it.<\/p>\n\n\n\n

Moving Sabari to the centre changes the questions available to the reader. Instead of asking only what she contributes to Rama\u2019s journey, there is room to ask where she came from, what shaped her beliefs and what her world looked like before he arrived.<\/p>\n\n\n\n

That is one of the possibilities literary retellings offer. A character remembered through a single scene can be given history, relationships, conflict and a point of view of her own.<\/p>\n\n\n\n

What changes when a marginal character becomes the centre?<\/h2>\n\n\n\n

Changing the central character can also change the scale of a familiar story.<\/p>\n\n\n\n

Usawa Literary Review<\/a> reads On the Banks of the Pampa<\/em> through questions of kingship, civilisation, power and the treatment of marginalised communities.<\/p>\n\n\n\n

The tension between the forest and an externally imposed idea of civilisation is also visible. Forest dwellers are asked to cut trees, flatten land, build houses and adopt agriculture while the authority proposing this version of progress also decides how the land will be distributed.<\/p>\n\n\n\n

A Sabari-centred narrative can therefore move beyond the familiar idea of devotion. It opens questions about who defines civilisation, whose relationship with land is considered legitimate and what happens when people at the edges of an epic begin describing the world from where they stand.<\/p>\n\n\n\n

Where does Sabari fit into Volga\u2019s writing?<\/h2>\n\n\n\n

Volga is the pen name of P. Lalita Kumari, an important voice in Telugu literature whose work has frequently engaged with women\u2019s lives, autonomy and social structures.<\/p>\n\n\n\n

Her writing includes Sveccha<\/em>, Rajakiya Kathalu<\/em> and Vimukta<\/em>. Volga received the 2015 Sahitya Akademi Award in Telugu for Vimukta<\/em>, a collection of short stories. The Sahitya Akademi\u2019s official record<\/a> confirms the recognition.<\/p>\n\n\n\n

English-language readers may also know her through The Liberation of Sita<\/em>. On the Banks of the Pampa<\/em> is the final volume in Volga\u2019s trilogy of feminist retellings of the epics.<\/p>\n\n\n\n

Sabari therefore fits into a longer body of work interested in women who have often existed at the edges of familiar narratives.<\/p>\n\n\n\n

How does Purnima Tammireddy translate Sabari\u2019s world?<\/h2>\n\n\n\n

Translation adds another layer to a retelling because the story must move between languages without losing the vocabulary of the world it comes from.<\/p>\n\n\n\n

Purnima Tammireddy is a writer, translator and publisher working in Telugu and English. She has translated works by Manto and Amrita Pritam into Telugu, founded Elami Publications and co-founded the book-review platform pustakam.net.<\/p>\n\n\n\n

In an interview with Usawa Literary Review<\/a>, Tammireddy discusses the decision to retain selected Telugu words rather than replacing every culturally rooted term with an English equivalent. She uses nagarikata<\/em> as one example of a word whose meaning shifts across Indian languages.<\/p>\n\n\n\n

That choice becomes particularly relevant in a story concerned with ideas such as civilisation, knowledge and belonging.<\/p>\n\n\n\n

About the author<\/h3>\n\n\n\n

Volga, the pen name of P. Lalita Kumari, is a Telugu writer, critic, poet and translator. Her work spans novels, short stories, poetry and feminist writing. She received the 2015 Sahitya Akademi Award in Telugu for Vimukta.<\/em><\/p>\n\n\n\n

About the translator<\/h3>\n\n\n\n

Purnima Tammireddy is a writer, translator and publisher working in Telugu and English. Her translations include works by Manto and Amrita Pritam. She is the founder of Elami Publications and co-founder of pustakam.net.<\/em><\/p>\n\n\n\n

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Read On the Banks of the Pampa<\/em> with us<\/h2>\n\n\n\n

On the Banks of the Pampa<\/em> is one of the 12 titles on our Blogchatter Book List 2026 Longlist<\/a><\/strong>.<\/p>\n\n\n\n

To encourage you to explore the Longlist, we\u2019re also hosting a lucky draw for readers who complete their reading goals.<\/p>\n\n\n\n